Adam Fuss
Adam Fuss was born in London in 1961 and lived between England and Australia.
He took his first photography of his pregnant nanny feeding birds at the age of three with a cheap plastic camera.
He's mostly known for his work with water.
What I feel fascinanting about his way of doing photography is how he can work with that big size of paper and find, at the same time in so many variables, the right picture with the right exposure.
Even though is a matter of many accuracy-error tries it is remarkable the expertise the photographer needs to have, thanks to time and experience, to make a first good guess in order to be able to work and be closer to a good picture since the very first attempt.
In the documentary we can see where he took some of his ideas from. The "curtain", for example, from Greek sculpture and architecture, which I have always found fascinanting.
I think the ones I like the most are the waterfalls.
The snake or the baby kind of making me feel anxious since I don't like putting living beings that cannot decided by themselves under that kind of stress. I fancy more being lucky in the outside if I am trying to capture animals in nature. I really hate the photogram of the dead bunnies.
I adopted a bunny in 2009 and I haven't been able to eat or peel off one since then, so it can of breaks my soul to look at that one.
I've chosen these two works of him because I love, as I already said, how he plays with water and because, personally, I find fire breathtaking.
He took his first photography of his pregnant nanny feeding birds at the age of three with a cheap plastic camera.
He's mostly known for his work with water.
What I feel fascinanting about his way of doing photography is how he can work with that big size of paper and find, at the same time in so many variables, the right picture with the right exposure.
Even though is a matter of many accuracy-error tries it is remarkable the expertise the photographer needs to have, thanks to time and experience, to make a first good guess in order to be able to work and be closer to a good picture since the very first attempt.
In the documentary we can see where he took some of his ideas from. The "curtain", for example, from Greek sculpture and architecture, which I have always found fascinanting.
I think the ones I like the most are the waterfalls.
The snake or the baby kind of making me feel anxious since I don't like putting living beings that cannot decided by themselves under that kind of stress. I fancy more being lucky in the outside if I am trying to capture animals in nature. I really hate the photogram of the dead bunnies.
I adopted a bunny in 2009 and I haven't been able to eat or peel off one since then, so it can of breaks my soul to look at that one.
I've chosen these two works of him because I love, as I already said, how he plays with water and because, personally, I find fire breathtaking.
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| Photogram 1988 (No tittle) |
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| Photogram 1999 (from the series "My ghost") |
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